文章Writing
評論Review
- 漸現的批判：「城市地景」系列短片與歌德學院On “Selected Shorts: Reconsidering the Goethe Institut Film Workshops”On “Selected Shorts: Reconsidering the Goethe Institut Film Workshops”漸現的批判：「城市地景」系列短片與歌德學院放映週報
- 圈選的姿態，思考的筆觸：記威廉．克萊因回顧展「親愛的夥伴們」The Gesture of Contemplation: On ‘Dear Folks’The Gesture of Contemplation: On ‘Dear Folks’圈選的姿態，思考的筆觸：記威廉．克萊因回顧展「親愛的夥伴們」CLABO 實驗波
- 鑄造一尊合法的聖像：《大俠胡金銓》的鄉愁與緬懷Building a “Legitimate Icon”: Review on ‘The King of Wuxia’Building a “Legitimate Icon”: Review on ‘The King of Wuxia’鑄造一尊合法的聖像：《大俠胡金銓》的鄉愁與緬懷放映週報
- 完美的分離——今敏與《藍色恐懼》Separation Perfected: The "Blue" Painted by Satoshi KonSeparation Perfected: The "Blue" Painted by Satoshi Kon完美的分離——今敏與《藍色恐懼》電影神搜
- 2023年度十大：觀眾是被創造的，還是創造者本身？The Making of Audience: Films of the Year 2023The Making of Audience: Films of the Year 20232023年度十大：觀眾是被創造的，還是創造者本身？
- 《記憶》：「觀眾」的視覺，即為永無止息的分娩On ‘Memoria’On ‘Memoria’《記憶》：「觀眾」的視覺，即為永無止息的分娩電影神搜
- 作為當下的過去，與朝向未來的追憶：《魂牽夢屋》的私人書寫及「家庭電影性」The Past as Present: Review on ‘Cette Maison’The Past as Present: Review on ‘Cette Maison’作為當下的過去，與朝向未來的追憶：《魂牽夢屋》的私人書寫及「家庭電影性」放映週報
- 點亮記憶──走進泰國電影資料館：歷史、使命與未來之旅Note on "Unlocking the Thai Film Archive: A Journey Through Its History, Mission and Future"Note on "Unlocking the Thai Film Archive: A Journey Through Its History, Mission and Future"點亮記憶──走進泰國電影資料館：歷史、使命與未來之旅FA電影欣賞
訪談Interview
- 躍入現實：專訪女性影展「身體即異世界」單元策展人郭敏容Leap into the Reality: Interview with WMWIFF Guest Curator KUO Ming-JungLeap into the Reality: Interview with WMWIFF Guest Curator KUO Ming-Jung躍入現實：專訪女性影展「身體即異世界」單元策展人郭敏容放映週報
- 輕聲耳語時間的姿態：專訪目聶仔影展「實驗．時態」策展團隊Whispering the Time: Visiting Bák-nih-á Film Festival 2 'Times Ex-Tense'Whispering the Time: Visiting Bák-nih-á Film Festival 2 'Times Ex-Tense'輕聲耳語時間的姿態：專訪目聶仔影展「實驗．時態」策展團隊放映週報
- 「認同」的滋味，及潛於身後的集體意識──對話第 13 屆 EX!T 策展人黃志輝、文晶瑩The Taste of Identity: Interview with Chi Fai Wong and Phoebe ManThe Taste of Identity: Interview with Chi Fai Wong and Phoebe Man「認同」的滋味，及潛於身後的集體意識──對話第 13 屆 EX!T 策展人黃志輝、文晶瑩放映週報
- 曖昧敘事的無盡網羅：專訪強．史諾迪Ambiguous Park, Endless Narration: Interview with Jon SnoddyAmbiguous Park, Endless Narration: Interview with Jon Snoddy曖昧敘事的無盡網羅：專訪強．史諾迪電影神搜
- 復仇的氣口 (khuì-kháu)，及其風味——專訪《藍眼武士》導演暨監製吳怡君The Taste of Revenge, and its Flavor: Interview with Jane WuThe Taste of Revenge, and its Flavor: Interview with Jane Wu復仇的氣口 (khuì-kháu)，及其風味——專訪《藍眼武士》導演暨監製吳怡君電影神搜
- 縝密的差距——專訪《伊貝林：在魔幻世界登入人生》導演班傑明．李The Nuance of Documentary: Interview with Benjamin ReeThe Nuance of Documentary: Interview with Benjamin Ree縝密的差距——專訪《伊貝林：在魔幻世界登入人生》導演班傑明．李電影神搜
- 讓我們一起書寫歷史——拜訪亞洲電影資料館（Asian Film Archive）Together, Writing a History: Visiting Asian Film ArchiveTogether, Writing a History: Visiting Asian Film Archive讓我們一起書寫歷史——拜訪亞洲電影資料館（Asian Film Archive）放映週報
- 以「謬誤」架空官方構築的歷史蜃樓：專訪導演陳君典Strike Back “The History”: Interview with CHEN Chun-TienStrike Back “The History”: Interview with CHEN Chun-Tien以「謬誤」架空官方構築的歷史蜃樓：專訪導演陳君典放映週報
- 除了與亡者共舞，我還想知道如何「活下去」：專訪導演薛若儀、黃聖鈞Dance with the Death, Think of the Live: Interview with HUANG Sheng Chun and HSUEH Lo YiDance with the Death, Think of the Live: Interview with HUANG Sheng Chun and HSUEH Lo Yi除了與亡者共舞，我還想知道如何「活下去」：專訪導演薛若儀、黃聖鈞電影神搜
- 說書人與他的故事：專訪攝影家唐景鋒Storyteller and His Tale: A Conversation with Kurt TongStoryteller and His Tale: A Conversation with Kurt Tong說書人與他的故事：專訪攝影家唐景鋒
- 「那被遮蔽和未被看到的事物，反而才是最讓人期待的」：專訪黑影展策展團隊See Through the Darkness: Interview with Black-A Film Festival’s CuratorsSee Through the Darkness: Interview with Black-A Film Festival’s Curators「那被遮蔽和未被看到的事物，反而才是最讓人期待的」：專訪黑影展策展團隊放映週報
- 否定作為一種迴返，或是重新出發——記 non-syntax 實驗影像展Return by the Action of “non”: Note on non-syntax Experimental Image FestivalReturn by the Action of “non”: Note on non-syntax Experimental Image Festival否定作為一種迴返，或是重新出發——記 non-syntax 實驗影像展放映週報
專文Essay
- 擾動群島的影像系譜：試論「流離島影」的音畫建構策略The Genealogy of Island: Re-imagining 'Floating Islands'The Genealogy of Island: Re-imagining 'Floating Islands'擾動群島的影像系譜：試論「流離島影」的音畫建構策略紀工報
- 閱讀的條件，理解的模式：攝影、檔案型創作及其策展Mode of Apprehension: On Photography, Archival Practice and CurationMode of Apprehension: On Photography, Archival Practice and Curation閱讀的條件，理解的模式：攝影、檔案型創作及其策展CLABO 實驗波
- 行動代號：出版――2022 年巴黎攝影博覽會／光圈基金會攝影書獎觀察Publish-ing as Method: A Survey of 2022 Paris Photo–Aperture PhotoBook AwardsPublish-ing as Method: A Survey of 2022 Paris Photo–Aperture PhotoBook Awards行動代號：出版――2022 年巴黎攝影博覽會／光圈基金會攝影書獎觀察Lightbox Newsroom
- 何以為邊，何處為界？2023年京都國際攝影節觀察Bordering the Festival and Community: Review on “KYOTOGRAPHIE” 2023Bordering the Festival and Community: Review on “KYOTOGRAPHIE” 2023何以為邊，何處為界？2023年京都國際攝影節觀察CLABO 實驗波
- 拓邊、創造、駭入、擊發：試探「遊戲社會」的規則與界線Surfing the Wave of Flux: On ‘Game Society’Surfing the Wave of Flux: On ‘Game Society’拓邊、創造、駭入、擊發：試探「遊戲社會」的規則與界線CLABO 實驗波
- 採集、匯聚，然後相遇——巴斯．徳沃斯與他的奇異時刻Gather, Converge, and then Encounter: Bas Devos and His Odd MomentsGather, Converge, and then Encounter: Bas Devos and His Odd Moments採集、匯聚，然後相遇——巴斯．徳沃斯與他的奇異時刻台北電影節
- 分解生活、重組意識：高重黎的後設影像裝置與視覺玩具Kao Chung-Li’s Meta-Image Installations and Visual ToysKao Chung-Li’s Meta-Image Installations and Visual Toys分解生活、重組意識：高重黎的後設影像裝置與視覺玩具釀電影
- 隱現的目光：關於常民攝影（Vernacular Photography）的初步探勘Hidden Light in History: Writing on Vernacular PhotographyHidden Light in History: Writing on Vernacular Photography隱現的目光：關於常民攝影（Vernacular Photography）的初步探勘CLABO實驗波
- 以目觸之／知：立體視覺與虛擬旅遊Travel the World Through the Stereoscope: Virtual Travel snd Stereo ViewTravel the World Through the Stereoscope: Virtual Travel snd Stereo View以目觸之／知：立體視覺與虛擬旅遊CLABO 實驗波