Review

完美的分離——今敏與《藍色恐懼》｜電影神搜
Separation Perfected: The "Blue" Painted by Satoshi Kon

《驀然回首》：作者、讀者，及其相遇之所｜電影神搜
Where Author and Reader Encounter: Review on Look Back

Interview

輕聲耳語時間的姿態：專訪目聶仔影展「實驗．時態」策展團隊
Whispering the Time: Visiting Bák-nih-á Film Festival 2 'Times Ex-Tense'
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‍凝結於他人的目光中，無路可出——專訪《非殺人小說》導演柯貞年、主演隋棠
Frozen by the Gaze: Interview with Chen-Nien Ko and Tang Sui

「認同」的滋味，及潛於身後的集體意識──對話第 13 屆 EX!T 策展人黃志輝、文晶瑩
The Taste of Identity: Interview with Chi Fai Wong and Phoebe Man

平凡的恐怖，或日常中的驚懼場景：專訪《都市懼集》主創團隊
The Banality of Horror: Discussion on Urban Horror

停格的表演，流動的情感：專訪《大蟲餐廳》導演菲比．珍．哈特
Grooving on Stop-Motion: Interview with Phoebe Jane Hart

直面名為情感的巨獸：專訪 《怪物戀人》導演卡洛琳．林迪
Facing the Inner Monster: Interview with Caroline Lindy

曖昧敘事的無盡網羅：專訪強．史諾迪
Ambiguous Park, Endless Narration: Interview with Jon Snoddy

復仇的氣口 (khuì-kháu)，及其風味——專訪《藍眼武士》導演暨監製吳怡君
The Taste of Revenge, and its Flavor: Interview with Jane Wu

怪談、實驗、恐怖劇場：專訪手塚真
Horror Theater and the Experimental Practice: Interview with Macoto Tezuka

縝密的差距——專訪《伊貝林：在魔幻世界登入人生》導演班傑明．李
The Nuance of Documentary: Interview with Benjamin Ree

情仇糾葛與人性稜鏡：專訪《台北追緝令》主演桂綸鎂、姜成鎬及楊明偉
The Dimension of Love and Hate: Interview with Sung Kang, Gui Lun-Mei, and Wyatt Yang

Essay

擾動群島的影像系譜：試論「流離島影」的音畫建構策略｜紀工報
The Genealogy of Island: Re-imagining 'Floating Islands'

閱讀的條件，理解的模式：攝影、檔案型創作及其策展｜CLABO 實驗波
Mode of Apprehension: On Photography, Archival Practice and Curation

行動代號：出版――2022 年巴黎攝影博覽會／光圈基金會攝影書獎觀察｜Lightbox Newsroom
Publish-ing as Method: A Survey of 2022 Paris Photo–Aperture PhotoBook Awards